As the blocks of time unfold backward, the audience discovers the true perpetrator: a man named Ebbe (Jens Bo Jørgensen) , who targeted the young daughter.
The 12-year-old daughter whose devastating secret alters the family's lives forever.
"Sekunder" is a 2009 short film directed by Norwegian filmmaker, Kari Straus. The film's title, which translates to "Seconds" in English, aptly reflects its themes of time, mortality, and the human condition. Clocking in at just 12 minutes, "Sekunder" is a concise yet powerful exploration of the fragility of life and the inevitability of death.
The film's cinematographer, Morten Solberg, employs a range of innovative techniques to capture the protagonist's disjointed experiences, including reverse motion, slow motion, and clever editing. These techniques not only add to the film's visual interest but also reinforce its themes of time and mortality. sekunder 2009 short film new
The (internationally known as Seconds ) remains one of the most structurally ambitious and emotionally devastating revenge thrillers in modern European short-form cinema. Directed by Anders Fløe Svenningsen , this 18-minute crime drama utilizes a rare and challenging narrative device—reverse chronology—to unpack the horrific intersection of sexual abuse, a father’s grief, and a ruthless quest for vengeance. Overview and Production Details
The title Sekunder (Seconds) suggests how a single moment—a decision or a secret—can forever alter the course of lives, a theme echoed in its intense, fast-paced narrative. 4. Cast and Production
The film opens not with the inciting incident, but with the brutal consequences of the father's revenge. The audience is immediately thrown into a scene of extreme violence, which initially leads the viewer to believe that Kenni himself might be the perpetrator of a terrible crime against a man. As the film rewinds, scene by scene, the context is slowly peeled back. We see the events that led to this violent moment, the discovery of the assault, and the father's agonizing decision. Only in the final moments of the film does the audience receive the full explanation for the opening scene, creating a powerful and tragic "aha" moment that re-contextualizes everything that came before. This clever storytelling technique masterfully manipulates the viewer's empathy, transforming the protagonist from a potential villain into a deeply flawed but sympathetic avenger. As the blocks of time unfold backward, the
DoP shot Sekunder on 16mm film—not as a stylistic gimmick, but to create a tactile sense of delay. The image is slightly desaturated, with a persistent, soft grain that feels like watching memories through frosted glass. In 2009, many short films were rushing toward digital video (the Canon 5D Mark II had just dropped). Persson’s decision to stick with film stock gave Sekunder a timeless, dreamlike quality. Today, that analog warmth is more striking than ever.
The film follows [main character's name] as they navigate [briefly describe the situation or plot]. Through a series of [insert number] seconds, the protagonist's [emotions, thoughts, or circumstances] unfold, revealing a deeper narrative.
Drama/Thriller
Despite its brief runtime, the short handles a complex web of characters to show how a single act of violence ripples across multiple families. Narrative Role Tao Hildebrand
[End Consequence] ──> [The Violent Act] ──> [The Confession] ──> [The Initial Secret]